The Books That Influenced My Life
May 31, 2018
There are many parts of The Fountainhead that resonate with me, but my favourite part emphasises the importance of the independent mind and making, creating, and achieving things that not only make us happy, but also contribute to improving society.
I can’t say for sure it was exactly around the time I read The Fountainhead, but that same year, I had started pursuing writing and painting with more seriousness and intent. I’d started spending more time developing my skills, and during my early 20s, I found them to be great creative outlets for me.
I was barely 12-years-old when I first read the book during a summer holiday back at home in Assam. It was a new copy that my parents had bought, and I’d found it lying on one of the coffee tables among books on art and architecture, Reader’s Digests, and other magazines. Summer holidays during the 1990s were a time when I had a lot of time on my hands being away from the hectic schedule of a boarding school and I didn’t know how to spend those long summer days at home.
During one such hot summer day, I sat in our hall browsing through Notes to Myself. I’d read a few pages and I was on the verge of abandoning the book when I found this note.
“There is a part of me that wants to write, a part that wants to theorize, a part that wants to sculpt, a part that wants to teach…To force myself into a single role, to decide to be just one thing in life, would kill off large parts of me.”
Growing up, like many children my age, I was often asked the question, “What do you want to be when you grow up?” As a 12-year-old, I found this quote by Prather illuminating and it is definitely one of the books that influenced me. For the very first time in my life, I realised it was okay to be passionate about several things, to pursue them, and even have multiple careers based off them depending on my talent and skills.
Within the next hour, I’d read several more pages and even though I’d understood little of what I’d read, I treasured all the notes that I could decipher and relate to. I’ve read Notes to Myself many times since then, during different phases of my life and, each time, I’ve understood it differently and it has provided me with great insight.
In the book, Safran says, “We can’t plead ignorance, only indifference. Those alive today are the generations that came to know better. We have the burden and the opportunity of living in the moment when the critique of factory farming broke into the popular consciousness. We are the ones of whom it will be fairly asked, “What did you do when you learned the truth about eating animals?”
There have been several books that influenced me, put a lump in my throat or made me tearful, but very few have compelled me to take action. However, this book was different. Within one week of reading the book, I reduced my intake of meat. Today, two months after reading the book, I no longer eat chicken, pork, or mutton.
Throughout the book, the author uses vivid descriptions to talk about the life cycle of animals and what they experience through their lives to create a sense of unease in the reader, and make us question some of the fundamental ways we look at animals and our relationship with them.
In one part of the book, Safran says, “If we were to one day encounter a form of life more powerful and intelligent than our own, and it regarded us as we regard fish, what would be our argument against being eaten?”
Hands down, Safran’s book is one of the most emotionally powerful books I’ve read in the past year. It’s a tough book to read and because I couldn’t read it in a few sittings, I read it across weeks, in multiple sittings.
I find that the quote by author Helen Exley accurately describes what it means to read powerful books, “Books can be dangerous. The best ones should be labelled ‘This could change your life.’”
Prarthana Banikya is a graduate in Sociology from Miranda House with a certificate in poetry. She spent her formative years in the valleys of Northeastern India from where she draws inspiration for most of her writing. Her work has been featured in several journals including Aaduna, Asia Writes, Aerogram, Danse Macabre, Poetry Super Highway, Namnai, and Pratilipi. In 2016, she was nominated for the Pushcart Prize for poetry and in 2018, was the recipient of the Orange Flower Award for poetry. She blogs at prarthanabanikya.blogspot.in.
You can read her articles here.